An Autumnal Sunshine Blogger Award

Cecilia at Craft, Coffee, and Cake has tagged me with a Sunshine Blogger Award!  Thank you, Cecilia!

Rules:

1. Display the award’s official logo somewhere on your blog. 
2. Thank the person who nominated you. (Thank you again, Liz.) 
3. Provide a link to your nominator’s blog. 
4. Answer your nominator’s questions. 
5. Nominate up to 11 bloggers. 
6. Ask your nominees 11 questions. 
7. Notify your nominees by commenting on at least one of their blog post

Cecilia's Questions:

1. If you had to live out the events in a book as the main character, which book would you choose? 

I'd like to be Miss Mary Russell in The Beekeeper's Apprentice for a run through the book, and get to be mentored and befriended by Sherlock Holmes.

2. Favourite weird combination of flavours that everyone else hates? 

Hmm.  I don't make them often, but I do enjoy peanut butter and onion sandwiches.

3. Whom are your favourite actor and actress? 

John Wayne and Maureen O'Hara!  How lucky I am -- they made five movies together!

4. If you had all the money in the world to buy an outfit for a ball, what would you wear? (The sky's the limit for this one - you can wear any dress, shoes, bag, hairstyle you like!) 

I'd wear anything from White Christmas that would look nice on me -- probably any of Rosemary Clooney's outfits.  These are two of my favorites:

5. Quote from a film that makes you smile/laugh? 

So many!  Basically every single line from Support Your Local Sheriff (1969), which we quote alllll the time.  "I don't really have much to say about old Millard, as he only arrove amongst us a few days ago and was promptly struck down by whatever deadly disease it was that struck him down" tends to be a big favorite, oddly enough.

6. Social situation from a book/film to which you completely relate? 

Again, so many!  How to choose one?  Maybe, let's go with the exchange in The Avengers (2012) where Thor (Chris Hemsworth) is confused by Nick Fury's (Samuel L. Jackson) casual mention of "flying monkeys," and Steve Rogers (Chris Evans) is all pleased with himself for understanding the reference.  I have been all three of those characters in various situations like that, at different times.

7. Most inspiring quote from a non-religious book? 

I mean, choosing just one is almost impossible.  I do find this line from The Blue Castle by L. M. Montgomery to be very inspiring, though:

She brushed the old years and habits and inhibitions away from her like dead leaves. She would not be littered with them.

(From my Instagram)

8. What personal quality do you think, if everyone possessed it, would make the biggest difference to the world? 

Cheerfulness.

9. You have to have one antagonist from a novel tag along with you for the next six months. Who would it be? 

Oh my.  How about Severus Snape from the Harry Potter books?  He's a dear favorite of mine, but Harry certainly considers him an antagonist in every single book.  And, odd as this might seem, I don't think I would mind having him living in my house for half a year.  If he got sarcastic about my cooking, I would get sarcastic back.  If he ridiculed my coffee, I'd have an excuse to buy an espresso machine and teach him how to use it.  I'd introduce him to chocolate-chip pancakes and peppermint mocha and sitting outside on the swing reading a book.  Maybe I'd even manage to make him smile once or twice.

10. Can you speak another language? If so, which one? If not, which one would you like to learn? 

I can speak a little bit of German.

11. Would you rather be an amazing homemaker and housekeeper, or be able to write beautiful poetry?

I can write poetry already, and I enjoy doing homemaker things like cooking and baking and arranging nice flowers for the dining room table and switching out some decorations with the seasons... so I pick some kind of magical spell that will turn me into a better housekeeper!  Because I am not good at keeping my house clean and tidy like I ought to be.

Now, it's my turn :-D

My Questions:

1. Thanksgiving or Halloween?

2. Candy apples or caramel apples?

3. Hot apple cider or cold apple cider?

4. Walnuts or almonds?

5. Pecan pie or pumpkin pie?

6. Caramel corn or Chex mix?

7. Bonfire or a fire in a fireplace?

8. Hiking or camping?

9. Canoeing or kayaking?

10. Sweaters or hoodies?

11. Gloves or mittens?

I Nominate:

Anyone who wants to answer these!  I haven't had much time for blogging lately, as you might have noticed, so I'm not going to pick anyone for this.  If it looks fun to you, consider yourself tagged!

My Tag Answers for Legends of Western Cinema Week 2025

Time for me to fill out our party tag!  

I'm going to put down the first western movie or TV show that comes to mind for these, and not agonize over whether they are the perfect example or not.  And I'll muse just a little on why each one came to mind for those prompts.

Cliff -- a tense cliffhanger Horizon: An American Saga, Chapter One (2024)  The ending of this movie is a series of cliffhangers, and I have been hanging off those cliffs for a year now with NO word on when they are releasing chapter two!  This is so agonizing!

Gulch -- a cool ambush scene The Professionals (1966) A set of professional gunfighters and adventurers are on a mission to rescue a kidnapped woman, only to get ambushed by her captors when they've almost got her back to her husband.  The gunfighters and the woman are stuck in a desert-mountain pass, and the only way to escape is if one of them stays behind to hold off their enemies... who used to actually be friends with a lot of them.  Lots of excitement and emotional impact.

Canyon -- a big gunfight A Fistful of Dollars (1964)  Oh, that finale, with the lone, nameless hero coolly facing down three evil brothers and their henchmen -- it's positively iconic.  Then you add in this brilliant trumpet theme by Ennio Morricone and the music swelling behind it, the dust in the street, the slow walk toward certain death, the quiet courage with a secret smile in front of it... oh my heart, I love the end of this movie so much.

Mountains -- high stakes The War Wagon (1967) An ex-con gathers a team to help him steal an armored wagon full of gold -- and help him get revenge on the man who had him unjustly accused and sentenced and thrown in jail.  High stakes indeed.

Valley -- a beautiful romance Angel and the Badman (1947)  It's like a Beauty and the Beast retelling where the Beast ends up at Beauty's family home instead.  And when I say the ending gives me goosebumps and brings tears to my eyes, I mean that in the best way possible!

Desert -- a suspenseful plot 3:10 to Yuma (1957)  A desperate rancher agrees to ensure a sly outlaw gets on the train headed for the Yuma Territorial Prison, the outlaw spends the next day doing everything in his considerable power to get free.  The tension just ratchets tighter and tighter --it's masterful.

Forest -- themes about renewal The Rare Breed (1966)  This is a movie about second chances.  A widow gets a second chance at love, a father and son get a second chance at understanding each other, a discontented cowhand gets a second chance at career choices... and it's all revolving around a big Hereford bull intended to bring new life and vitality into a Texas herd.

River -- traveling to a new home Buck and the Preacher (1972)  Black pioneers trying to get to Kansas to start new lives as farmers... but a lot of people seem to not want them to get to do that.  It's the only movie I know of that's set during the real-life Exoduster migration, too.

Plains -- characters who are farmers Shane (1953)  Even though the title character is a gunfighter, he befriends a farming family and gets semi-adopted by them.  If they weren't farmers, he wouldn't have to protect them from people trying to push them off their farm, so the whole plot really revolves around the fact that they are trying to raise crops and animals, not graze cattle.

Mesa -- an animal central to the story The Proud Rebel (1958)  A sweet, unassuming sheepdog is the heart inside this sweet story about family, love, and sacrifice.  And the dog doesn't die, which is a total bonus!

Have you seen any of these?

My Answers to the LOWCW 2023 Tag

It has taken me days to fill this out.  So many good moments to choose from!  I'm so glad we decided to say "a favorite" for these so I didn't have to feel pressure to figure out my one absolute top favorite for any of these, as I would probably never have finished it otherwise.

In other words, get yourself a fresh cup of coffee and a biscuit from the chuckwagon and settle back for a series of pretty thorough answers to these tag questions.

The LOWCW 2023 Tag

Stetson -- a favorite hero moment (i.e. highlighting their character and/or making a pivotal decision, etc) 

There's a moment in The Lone Ranger (2013) at the beginning of the finale when John Reid (Armie Hammer) appears above the crowd on his white horse, which rears up, and the first time I saw that, it was like he slotted into this silhouette in my head that's the shape of A Heroic Man.  It's really hard to describe, but it was like this moment of recognition for me and victory for him, and... I love that moment, because it's when John Reid finally OWNS being The Lone Ranger, and he never looks back from then on.

Petticoat -- a favorite heroine moment (ditto)

There's a tiny moment in The Rare Breed (1966) where Hilary Price (Juliet Mills), her mother Martha (Maureen O'Hara), and cowpuncher Sam Burnett (James Stewart) are transporting the prize Hereford bull Vindicator to Texas.  Vindicator is tied behind the wagon that Martha and Hilary usually ride in on the trip, but on this sunny afternoon, Hilary isn't in the wagon, she is riding on Vindicator's back.  She raised him from a calf and loves him dearly, and she's really struggling to accept that he's been sold and is on his way to his new home, where she will have to leave him.  Most of that struggle is not conveyed to us in words, but in how Hilary behaves toward him, and that's most poignant in the moment when she's riding on his back and lies down on his back and closes her eyes.  The love and trust conveyed in that simple moment get to me every time I watch the movie.

Canteen -- a favorite scene with a leader/mentor 

In my favorite movie, The Man from Snowy River (1982), young Jim Craig (Tom Burlinson) has been accused of stealing a valuable horse from his employer, Mr. Harrison (Kirk Douglas).  Jim loses his job and heads home to the mountains.  There, he encounters a friend of his dad's, the crack rider Clancy (Jack Thompson).  Clancy tells Jim that Mr. Harrison is getting together a lot of riders to recover that valuable horse from the herd of wild horses it has joined.  Jim wants nothing to do with it because he's angry over being falsely accused of theft and fired, but Clancy tells him he should join the search because he's a grown man now, not a sulky kid, basically.  Jim is unconvinced.  Finally, Clancy asks him, "What's the first thing you do when a horse bucks you off?"  Jim says, "You don't let him beat you, you get straight back on."  Clancy nods and says, "Well?"  Jim might not like it, but he knows what he has to do.

That bit of advice, to stand up and try again and not let one fall defeat you is something that has been a real help to me all my life.  My own dad has actually quoted it to me, most memorably the first time I put on a pair of roller skates after breaking my arm while roller skating when I was 12.

Gloves -- a favorite sidekick/friend scene 

This is a scene that hurts and hurts, but it's so agonizingly good that I love it anyway.  In Hour of the Gun (1967), Wyatt Earp (James Garner) has just gunned down a man involved in the murder of Wyatt's brother.  Doc Holliday (Jason Robards) has been sitting silently on his horse watching things go down, but once Wyatt's business is finished, Doc can't be quiet anymore.  He tells Wyatt he's not carrying warrants for arrest, he's carrying hunting licenses.  Doc says Wyatt has no intention of bringing any of these people in alive, he's not working for the law anymore, he's turned vigilante and is carrying out his own little vengeful killing spree.

Wyatt is enraged.  It's the truth, but he can't bear to admit it to himself.  He absolutely refuses to admit anything that Doc is saying is true, and ends up belting his friend across the face.

Doc drops to his knees, the blow having started a horrible coughing fit, as he's slowly dying of tuberculosis.  He coughs and coughs and coughs, and Wyatt instantly switches from rage to compassion and remorse.  It's a gorgeous scene where Doc has the guts to tell his friend the truth, and Wyatt refuses to listen, but then his friendship for Doc overrules his anger.

Canyon -- a favorite western landscape 

I can't decide between Monument Valley and the Grand Tetons.  They both pop up in plenty of westerns, and they are both always completely, achingly gorgeous.

Monument Canyon in The Lone Ranger (2013)

The Tetons in Shane (1953)

Pistol -- a favorite fight scene 

The showdown at the end of A Fistful of Dollars (1964) is everything I want a gunfight to be.  The stakes are as high as possible, with the freedom and peace of a whole town riding on the outcome.  The bad guys are evil, and multitudinous, stacked against one lone hero who won't stay knocked down.  Add in a glorious trumpet theme by Ennio Morricone and you can't lose!

Saddle -- a favorite horse / animal in a western 

He may not be my absolute favorite, but Denny, the horse that Jim Craig rides to glory in The Man from Snowy River, is amazing.  I definitely owe my love of buckskin horses to Denny, and I owe my love of all horses to that film.

Sky -- a favorite ambitious / crazy plan in a western 

The War Wagon (1967) is all about a plan to rob an un-rob-able armored stagecoach filled with gold.  It's a heist film disguised as a western, and it might be part of why I love heist films, now that I think about it.  Taw Jackson (John Wayne) was wrongly convicted of a crime and just got out of prison after serving time for it (oh, and that is another favorite trope of mine!).  He decides to get his revenge on the man who framed him (Bruce Cabot) by gathering a group of oddly talented ne'er-do-wells (Kirk Douglas, Howard Keel, Keenan Wynn, and Robert Walker Jr. -- and no, I am not making that cast up) to help him carry out a very elaborate and detailed plan to rob his nemesis's armored gold-shipment coach.  That's the whole plot of the movie.  And it's a fun, fun ride.

Rifle -- a favorite scene with an antagonist 

Basically any scene from The Magnificent Seven (1960) with the bandit leader Calvera (Eli Wallach) in it, to be honest.  He steals every scene, even out from under the likes of Steve McQueen and Yul Brynner.  If I had to pick one favorite, it would be one from close to the beginning where he is justifying his thieving to some townsfolk, because he is totally convinced he makes absolute sense.  He's not stealing from these villagers because he hates them or he's filled with malice or he wants to take over the world, he's stealing from them to feed the men who follow him, and he's not mean and nasty about it, and that makes him one of the few villains I actually like a little bit.

Chuckwagon -- a favorite meal scene 

In Shane (1953), after Shane (Alan Ladd) uses nothing but his quietly menacing presence to scare their enemies away from their homestead, Joe (Van Heflin) and Marian (Jean Arthur) invite him to eat a meal with them.  While they eat, you get the sense that it has been a long time since Shane shared a meal with a family instead of eating at a boarding house or in some beanery.  He thanks Marian and tells her that this was "an elegant meal, ma'am."  His soft and graceful chivalry in that one line communicates to the audience -- and to Joe and Marian -- that there is a lot of depth to this gunfighter.  That he is more than just another tough guy. 

Badge -- a favorite scene with peace officers / sheriff 

There's a moment in Rio Bravo (1959) that has nothing to do, exactly, with keeping the peace or upholding the law, but it's such a sweet and lovely scene that I have to share it here.  The sheriff (John Wayne), his deputy (Dean Martin), the man who sweeps out the jail (Walter Brennan), and a young gunman (Ricky Nelson) are all holed up in the town jail, guarding one prisoner until the judge can come and try his case.  That prisoner's rich and powerful brother is doing everything he can to get the lawmen to release him, but they are standing firm and refusing.  In the middle of a very tense movie that is going to ratchet up the tension even more before it's through, we get a soft and quiet interlude where Dean Martin and Ricky Nelson sing a couple of songs one evening because you cannot have Dean Martin and Ricky Nelson in a movie together without getting them to sing something.  And because the audience needs a little breather between tense and exciting plot points just as much as the characters do.

Lariat -- a favorite cattle drive /roundup

The climax of Chisum (1970) involves a herd of cattle being driven straight through the main street of a town, with cattle going inside the buildings and smashing stuff up and altogether causing a great deal of mayhem.  It's chaotically glorious in a strange way, and I look forward to it every time I watch the movie.  Not quite a cattle drive or roundup in the usual sense, but very memorable!  I may have drawn inspiration from it for the ending of The Man on the Buckskin Horse, actually.

Hey, look at that!  You made it to the end of this very long post!  Hope your coffee held out.

Don't forget that today is the last day to enter my giveaway!  

My Ten Favorite Funny Westerns

Something about the western genre often lends itself to blending with comedy, which I find delightful.  Here are my ten favorite funny westerns -- some are spoofs or meant to be comedies, and others are more just westerns that have a lot of funny stuff in them.

1. Support Your Local Sheriff! (1969) A mild-mannered man (James Garner) who is basically just on his way to Australia takes on the job of sheriff in a goldrush boomtown.  His unorthodox methods and unflappable demeanor keep everyone bewildered and off balance, from baddies (including Walter Brennan and Bruce Dern), to the mayor (Henry Morgan), to his former-town-drunk deputy (Jack Elam).  One of the absolute funniest movies I have ever seen.  My family quotes it constantly.

2. The Apple Dumpling Gang (1975)  A card sharp (Bill Bixby) takes care of three orphans, marries a stage coach driver (Susan Clark), and captures a famous outlaw (Slim Pickens) while eluding the machinations of two inept would-be robbers (Don Knotts and Tim Conway).  One of my favorites when I was a kid, and still funny and awesome now.

3. North to Alaska (1960) A wealthy Alaska mine owner (John Wayne) brings a dance hall girl (Capucine) back to his claim to replace the woman who jilted his mining partner (Stewart Granger), only to fall in love with her himself.  A western romcom, basically, and one with an amazingly fun brawl in the mud at the end.  Thanks to this movie, I have basically been on my way to Alaska for the last thirty years.

4. Texas Across the River (1966).  A Southern belle (Rosemary Forsyth) pursues her European fiance (Alain Delon) to Texas, where she gets mixed up with an opportunistic gunrunner (Dean Martin).  A few of the jokes have not aged well, but most of them are still laugh-out-loud funny.

5. Along Came Jones (1945) A slow-talking, easy-going cowpoke (Gary Cooper) gets mistaken for a vicious outlaw (Dan Duryea) and falls for the outlaw's girl (Loretta Young). This is a charming western comedy that amuses me greatly.

6. The Sheepman (1958) A sheep rancher (Glenn Ford) insists on raising his sheep in an area dominated by cattle ranchers, no matter how much they pressure or cajole him to be rid of the wooly beasts. The main character's sense of humor and a stubborn and sassy woman (Shirley MacLaine) elevates this above turning into yet another range war picture.

7. McLintock! (1963) A rich rancher (John Wayne) battles his estranged wife (Maureen O'Hara), daughter, land-grabbing bad guys, and various other adversaries. It's actually a western version of The Taming of the Shrew.

8. Cat Ballou (1965) Cat Ballou (Jane Fonda) comes home to her family's ranch just in time to witness her father's murder by the notorious (and noseless) Tim Strawn (Lee Marvin). She straps on a gunbelt and sets out to avenge him, eventually gathering up an outlaw gang of comically inept ne'erdowells, including washed-up gunfighter Kid Shelleen (also Lee Marvin). This is a wacky, wild movie, but I like it.

9. Three Amigos! (1986) Three silent movie stars (Steve Martin, Chevy Chase, and Martin Short) are mistaken for actual gunfighters by the people in a small Mexican village being terrorized by a bandit (Alfonso Arau).  It's basically a really silly version of The Magnificent Seven.

10. Rango (2011) A chameleon (Johnny Depp) accidentally winds up in a middle-of-nowhere town that's in desperate need of some law and order.  It's an animated spoof/homage to all the classic westerns, with tropes and archetypes at every turn, and such a loving homage that I can't help but find it both funny and charming.

Yup, this is another contribution to this year's Legends of Western Cinema Week.  Hope you've been enjoying the festivities!

Stubborn Romance

Classic Hollywood boasted quite a few actor-actress duos that had such good chemistry, studio execs paired them again and again. Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Humphrey Bogart and Lauren Bacall, Rock Hudson and Doris Day come to mind. But of all the classic on-screen matches, my favorite remains John Wayne and Maureen O’Hara. 

Now, this might have something to do with the fact that John Wayne is my favorite actor, and Maureen O’Hara is my favorite actress. So having them together onscreen would be a special treat for me even if they didn’t display both great chemistry and a wonderful camaraderie. 

John Wayne and Maureen O’Hara both excelled at playing strong-willed, strong-minded characters who did not back down from a fight, who had to be definitively won, not simply wooed. In real life, they were good friends, which I find endearing. I suppose it’s that real-life friendship that made them appear so natural together onscreen. 

In a 1974 speech, John Wayne joked, “I’ve been in more battles than Napoleon and more wars than Germany. I’ve captured Bataan, Corregidor, Fort Apache, and Maureen O’Hara.”* That’s part of what fascinates me—their characters were always almost military opponents as much as lovers. There’s a sense that their characters are excited to have found a worthy opponent at last, and it’s that worthiness that attracts them to each other, even though they spend more time battling than romancing. 

Wayne and O’Hara played opposite each other five times in just over twenty years, and I’d like to recap each of those films for you here. 

In Rio Grande (1950), hard-nosed Cavalry officer Kirby Yorke is tasked with training a bunch of raw recruits, including his son, whom he hasn’t seen in many years. Yorke’s estranged wife Kathleen arrives to take their son away again because she thinks Yorke is being too hard on him. Kirby and Kathleen bicker and fight and slowly fall in love again despite an Indian uprising, a court-martial, and their own proud and stubborn natures. 

In The Quiet Man (1952), ex-prize fighter Sean Thornton returns to his ancestral homeland of Ireland to retire in peace. He soon falls in love with Mary Kate Danaher and marries her, despite the objections of her boorish brother. But when Sean refuses to fight her brother over an insult, Mary Kate declares he’s not a real man after all and leaves him because she doesn’t know about the secrets he’d fled from back in America. 

The Wings of Eagles (1957) tells the true story of Navy pilot Frank ‘Spig’ Wead, who puts aviation above his marriage to Min, causing his personal life to decline until an accident paralyzes him, and he has to learn to live without the things he thought defined him. 

McLintock! (1963) is a loose adaptation of The Taming of the Shrew. Cattle baron G.W. McLintock has his hands full trying to deal with a headstrong daughter, his estranged wife, farmers, Indians, and dishonest government officials. He tries to keep everyone happy and peaceful, with comic results. 

And in Big Jake (1971), Jacob McCandles returns home after many years at the request of his estranged wife, who needs him to help rescue their kidnapped grandson. 

I’ve seen both Wayne and O’Hara in many, many movies, opposite many different stars. And, while they could convincingly play love stories opposite others, their five movies together possess a special zing the others lack. I think it goes back to them finally having truly worth opponents, someone who forces them to be at their best in conversation, romance, argument, and everything in between. The actors probably enjoyed acting opposite someone who would go toe-to-toe with them in any scene, the competition forcing them to utilize all their talents instead of falling into predictable or routine acting. 

The question, then, is why am I so entranced by this pair of stars playing generally cross lovers? I think a lot of it is because I am stubborn and strong-willed, so I enjoy seeing characters similar to myself find someone who can challenge them and who enjoys matching wits and wills with them. Also, their real-life friendship shines through in these performances, making their characters’ affection for each other feel warm and genuine even when they’re disagreeing. 

Of the five films John Wayne and Maureen O’Hara co-starred in, my favorite is definitely The Quiet Man. It has the happiest ending for their characters as a couple, and the finest scenes between them overall as well. I recommend it to anyone who enjoys an unusual love story in a charming setting.

*p. 139, Duke in His Own Words, by Editors of the Official John Wayne Magazine. Media Lab Books: NY, 2015.

(This post originally appeared in the January/February 2016 issue of Femnista magazine.)

It's John Wayne's birthday today, so I thought it was the perfect time to repost this Femnista article :-)  Happy birthday, Duke!

My Ten Favorite Swashbucklers

Swashbucklers are their own brand of swaggering cool, aren't they?  Devil-may-care heroes, feisty heroines, and plenty of sword fights and chases and fisticuffs to keep things galloping along.  A good swashbuckler is pretty well guaranteed to raise my spirits even on the gloomiest day.  Here are my favorites!

1. The Princess Bride (1987)  After Buttercup's (Robin Wright) true love Westley (Cary Elwes) is murdered by pirates, she agrees to marry Prince Humperdinck (Chris Sarandon), but gets kidnapped before the wedding. I'll never forget the first time I saw this movie -- it changed my ideas about humor and fantasy forever.

2. The Mask of Zorro (1998)  An aging Zorro (Anthony Hopkins) is unmasked and imprisoned by the greedy and cruel Don Montero (Stuart Wilson), who also steals his baby daughter Elena.  When Montero and a grown Elena (Catherine Zeta-Jones) return to California, Zorro trains a bumbling thief (Antonio Banderas) to be his successor and fight oppression in his place.  I saw this in the theater the summer before I went to college, and it kind of dominated my life for a while.  I had the poster on my dorm room wall, I listened to the soundtrack until my roommates were sick of it, and I watched the movie so often I basically memorized it.  Twenty-five years later, I'm still not tired of it!

3. The Black Swan (1942)  Former pirate captain Jamie Waring (Tyrone Power) kidnaps, then woos, then rescues a governor's feisty daughter (Maureen O'Hara) while also helping Governor Henry Morgan (Laird Cregar) clear the pirates out of the Caribbean.  This is one of the most fun movies I have ever seen, and I judge all other pirate movies by it.

4. The Adventures of Robin Hood (1938)  Robin Hood (Errol Flynn) has a jolly time robbing the rich Normans to feed the poor Saxons, wooing Maid Marian (Olivia de Havilland), and foiling Prince John (Claude Rains) and Sir Guy of Gisbourne (Basil Rathbone) when they plot to steal the throne from King Richard (Ian Hunter).  It has everything I could possibly want in a Robin Hood movie :-D

5. Pirates of the Caribbean: Curse of the Black Pearl (2003)  Captain Jack Sparrow (Johnny Depp) resorts to commandeering, raiding, pillaging, plundering, and otherwise pilfering his weasely black guts out, all to regain his beloved ship. More fun than a barrel of undead monkeys!

6. The Three Musketeers (1993)  Young d'Artagnan (Chris O'Donnell) just wants to be a Musketeer, but he ends up embroiled in unmasking a plot against the king. His three Musketeer friends (Kiefer Sutherland, Charlie Sheen, and Oliver Platt) are hilarious and awesome too.

7. The Count of Monte Cristo (1975)  Simple, honest sailor Edmund Dantes (Richard Chamberlain) is betrayed by his supposed friends and sent to prison on false charges. He escapes, gains staggering wealth, and seeks vengeance against his enemies. Based on the book by Alexandre Dumas, king of the swashbucklers.

8. The Mark of Zorro (1940)  Diego de la Vega (Tyrone Power) returns home to California from studying in Spain and discovers oppression and injustice everywhere.  He disguises himself as a cunning rogue called Zorro and sets about righting wrongs and championing the poor and dueling with Basil Rathbone and generally having a grand time.

9. Against All Flags (1952)  A roguish naval officer (Errol Flynn) pretends to be a pirate in order to infiltrate a pirate stronghold, only to find himself falling for a strong-willed, lemon-tongued Pirate Captain (Maureen O'Hara). Jolly good fun.

10. The Prisoner of Zenda (1952)  A British hunter (Stewart Granger) masquerades as the king (Stewart Granger) of a small European nation so that the king's enemies (including James Mason) can't usurp the throne while the king lies ill. Things get complicated when the fake king falls in love with the woman (Deborah Kerr) who is intended to marry the real king. 

Well, those are my ten favorite swashbuckler movies!  If you'd like to see my list of favorite swashbuckler books, I recently posted that on my book blog :-)

My Answers to This Year's LOWCW Tag

Every year, Olivia and Heidi and I have a lot of fun coming up with the questions for our tag.  Every year, I look forward to answering them myself.  And, every year, there's at least one question that stumps me or makes me have to think really hard about my answer.  Which is all part of the fun!  (This year it was question #9 that I struggled with.  Now you know.)

You can find the original tag here, on my kick-off post.  Also, don't forget that today is the LAST DAY to enter my giveaway!

If I've reviewed a movie I talk about here, I've linked its title to my full review, in case you're curious to read more about a particular film.

1) Favorite western focused on a lone hero? 

That would be 3:10 to Yuma (1957), in which struggling rancher Dan Evers (Van Heflin) singlehandedly stands up against an entire outlaw gang to take its leader, notorious Ben Wade (Glenn Ford) to the train that will transport him to prison.  It is a moody, atmospheric, aesthetically pleasing masterpiece of tension.

2) Favorite western focused on a group of compadres? 

The Magnificent Seven (1960), no contest.  It truly is magnificent.  The acting is superb, the writing is taut and masterful, and the score by Elmer Bernstein is one of the finest movie scores ever written.  I never, ever get tired of this movie.

3) Favorite western with a female main character? 

The Rare Breed (1966).  It's about a British widow (Maureen O'Hara) and her daughter (Juliet Mills) who bring a prize Hereford bull to the St. Louis stockyards to auction off.  They get worried that something terrible will befall the bull while it's being shipped to its new owner (Brian Keith) in Texas, so they insist on accompanying the man (James Stewart) tasked with delivering him.  It's a pretty unusual western in a lot of ways, and really enjoyable.

4) Favorite western with a POC main character? 

That would be Silverado (1985).  It has three main characters: Emmett (Scott Glenn), Paden (Kevin Kline), and Mal (Danny Glover), who join forces to take down a common enemy.  Mal's trying to save his family's homestead and convince his sister to abandon some questionable life choices she's been more or less forced to make.

Now, since Silverado is an ensemble piece, I'm going to answer this question twice so I can also mention Buck and the Preacher (1972) , which Sidney Poitier starred in and directed.  It's about African American pioneers seeking new homes in Kansas after the Civil War.  I highly recommend it to older teens and adults.  It probably hits a little too heavy for kids.

5) Favorite western with kids in it? 

Shane (1953) is told through the eyes of a boy (Brandon de Wilde) who idolizes the gunfighter (Alan Ladd) that his father (Van Heflin) and mother (Jean Arthur) have befriended and hired to work on their farm.  It's a beautiful meditation on what happens when a child idolizes an adult, and the kind of influence that idolization can have on the adult in question.  Shane works as hard as he can not to let that little boy down, but he works even harder to convince the boy that his own father is the real hero of the story.

6) Favorite western set somewhere other than the United States? 

The Man from Snowy River (1982).  It's also my favorite movie of all time, and it's all about a young man coming of age in Australia, finding work and falling in love and generally proving himself.  I saw this in the theater when I was two years old and fell in love with horses, Australia, and westerns all in one fell swoop.  It's been my favorite ever since.

7) Favorite "western" that doesn't fit the genre's dictionary definition? 

Well, The Proud Rebel (1958) takes place in Illinois, and so it's not technically a western.  But it feels like a western, so I call it one anyway.  It's about a man (Alan Ladd) searching for a doctor who can cure his mute son (David Ladd).  They end up working for a farmer (Olivia de Havilland) who's being harassed by some neighbors that want to buy her land, or force her off it if she won't sell.  And they have to overcome a bunch of problems, but they also form a nice little family in the process.

8) Favorite funny western? 

Support Your Local Sheriff (1969), always and forever.  A quirky, clever drifter (James Garner) takes the job as sheriff in a lawless goldrush town, makes a deputy out of the town drunk (Jack Elam), falls in love with the mayor's daughter (Joan Hackett), and dispatches a family of ne'erdowells, all in the most unconventional ways possible.  It's a spoof of western tropes, but such a loving spoof that its humor completely works.

9) Favorite tragic/sad western? 

The Alamo (1960).  Almost every single character dies.  Gloriously, yes, but still!  Tragic.  And yet, I watch it over and over.

10) Favorite western TV show?

The Big Valley (1965-69).  I love every member of the Barkley family, most especially Heath (Lee Majors) and Victoria (Barbara Stanwyck).  I want to be friends with them and hang out with them and go on adventures with them and just... can I either get adopted into or marry into that family already?  Please?

There you have it!  I can't believe that today is the last official day of Legends of Western Cinema Week already!  Like I said, if you haven't entered my giveaway yet, do that here.  And if you haven't made your guesses about my movie poster game yet, do that here.