Thursday, June 06, 2019

"D-Day: The Sixth of June" (1956)

This movie has had a special place in my heart ever since I first saw it twenty-five years ago, when it was issued on VHS for the 50th anniversary of the D-Day invasion.

If you're up to doing math this early in the morning, you'll realize that means that today, June 6, 2019, is the 75th anniversary of the D-Day Invasion :-o

No prizes guessing why I'm reviewing this movie today, then, eh?

This movie isn't particularly well-known these days, though I'm not sure why.  Maybe people read the title and think it's a documentary?  Or because, while Robert Taylor and Richard Todd were very famous in the '50s, they're not as widely known today?  Or because people expect it to be a military-focused movie instead of a drama, and they end up not liking it because it's not what they expected?  I don't know.  I think it's silly, though, because this is a wonderful drama centered around three people caught up in the preparations for the invasion.


Well, the filmmakers certainly aren't being coy about what this movie's going to entail, does it?  Tells you right from the start that lots of people are going to die.  Cheery.


The story begins aboard a ship filled with Special Forces men being sent ahead of the main invasion fleet.  We zoom in on one British officer, Lieutenant Colonel John Wynter (Richard Todd), the heart and soul of this film.


We then zoom in on an American officer, Captain Brad Parker (Robert Taylor).  I'm going to pause right here and say that I've always thought that, in this movie, Robert Taylor looks a TON like Rick Jason in season one of Combat!.  In my headcanon, Brad is the older half-brother of Jason's character Lt. Hanley on that show.  Just so you know.


Anyway, John briefs the officers about minefields on the beach that Allied sappers have partially cleared.  We also learn that he's only been commander of this group for a few days, after "unfortunate circumstances" deprived them of their original commander.  Ooooooh, that's mysterious!


I already love him, just from this one scene.  How can anyone NOT love that sweet face, that kind voice?  This is the movie that made me a Richard Todd fan :-)  Yes, I saw it BEFORE I saw The Story of Robin Hood and his Merrie Men (1952).  YEARS before I saw The Hasty Heart (1949).  I saw The Longest Day before it, and Todd has a small but significant role in that, but he was one of a cast of zillions and I didn't pay much attention to him in that until after I'd seen this.


Anyway, after the briefing, John and Brad end up leaning on the same rail, looking off over the sea.  They made some polite conversation, and then John says, "It's odd meeting like this."  Brad says, "She told you?"  "Oh, yes," John answers.  And that's it.  They go back to talking about the weather and the invasion.  John (who's been in many battles and even other invasions) kindly tells Brad (who hasn't) to get some sleep, and even smiles at him, while Brad looks like he's going to be sick.  And I don't think it's because of the choppy Channel.


Is that a great set-up, or what?  Six minutes in, and we've got simply acres of questions about these guys.  Who is "she," and what did she tell John?  If it was a bad thing, why is he smiling?  (Short answer: because he's wonderful.  Ahem.)  And what were those mysterious circumstances that caused the previous commander to be gone?

I'm going to pause here for just a moment to mention that Richard Todd actually participated in the D-Day Invasion.  He parachuted into Normandy as part of the Sixth Airborne.  I'll talk more about that later.


Back to the movie.  So, John goes off to talk to some other officers, then has a bit of interior monologue voice-over in which he muses on his experiences in North Africa and before, and which leads to a flashback.


Three years earlier, in 1942, John was in love with Valerie Russell (Dana Wynter).  He'd just volunteered for a mission that would take him away from her, and she was quite annoyed about it when he told her so.


She doesn't stay annoyed for long, and they part with an Understanding, if not an official engagement.


Back to that ship headed for Normandy, and now it's Brad's turn to have a voice-over reminiscence all about when he first arrived in London, leaving behind a pretty wife in the states.


Who should Brad meet in London but Valerie Russell.  They meet at her house when he calls on her father (John Williams), they meet on a train, they go out for dinner...


One thing leads to another, as tends to happen, and the best thing I can say about these two is that they didn't intend to fall in love with each other, at least.


But the next thing you know, they're kissing in the half-dark.


Meanwhile, preparations are ramping up for the invasion, and we have bits of that intruding on the plot, mainly in the form of Brad's superior officer, Lt. Col. Alexander Timmer (Edmond O'Brien).


Timmer is loud and sorta obnoxious, and he runs his mouth off, especially to newspapermen, which he isn't supposed to do.  And which he gets in trouble for.  But, because he's played by Edmond O'Brien, you can't help but like the guy anyway.


More canoodling occurs.


The canoodling leads to kissing in the rain.  I want to slap both of them.  Honestly, I would probably hate this movie if John wasn't so wonderful in and of himself.  These two certainly aren't worth the price of admission.


But the story keeps following them anyway, as they get separated by the war, then reunite.  Brad says that his wife knows he's having an affair, though he hasn't told her.  Valerie says John doesn't know because all they had together was trust, not really love.  Well golly gee whiz, lady -- guess you didn't really have trust either, with you gallivanting around with this American dude!


And then, just when I'm getting thoroughly sick of these two and wishing John would return, he does, and the movie gets good again.  You see, he's been wounded, and he's back, and now the two characters I don't like in this movie are going to have to face up to their bad behavior and figure out how to live their lives when confronted with the one character I do like.  It makes for very rich character-based drama, which I adore.


Wynter inadvertently learns Valerie has a boyfriend and is at a party with him, and my goodness, doesn't he look like he needs a hug and a friend?  I will hug you and be your friend, John!!!


To her credit, when Valerie learns John is back, she rushes off to be with him, leaving Brad cold, saying it doesn't matter what's happened while John was away, but that he needs her now.  She doesn't know that John knows she's found someone else.


Valerie and Brad meet up again, though, and she informs him that she's going to stick with John.  Really, I should like Valerie better than I do.  She wasn't actually engaged to John, and when he returns, she gives up Brad for him.  It's Brad I should mostly want to slap (and I do), since he's a married man and shouldn't have enticed Valerie into a relationship in the first place.  She encourages Brad to return to his wife, and he argues about it.  But I can never quite like her either, though I'm not sure why.

Remember Lt. Col. Timmer, Brad's commander that can't keep his mouth shut?  He gets too loud too often and is removed from command.  Guess who replaces him?


John knows the name of the man Valerie had been seeing.  He knows this must be the guy.  How would you behave when you suddenly meet the man who has been carrying on with the girl you love?  The girl who's been all that's gotten you through a couple of very tough years of war?  The girl who has given up this man for your sake?

I'll tell you what Lt. Col. John Wynter does.  He shakes his hand.  He moves on with his life.  MAN, I love this guy.  No drama, no fuss, no public calling out of the guy, no punch in the nose, just a handshake and then off we go.


After an hour and a half of backstory, we finally get back to the landing at Normandy.  These advance Special Forces sneak onto the beach and start dismantling the Nazi defenses.


The cinematography up to this point hasn't been anything special, but there are some really nice shots during this sequence that I'll share here.






After the initial battle, things quiet down.


John and Brad were both wounded, though John's wound is not too bad.  Brad has to get carried away on a stretcher, and the medics say he'll be going home.


John finds him.  He congratulates Brad on his good work, asks how he's feeling, and chats pleasantly with him.  They wish each other good luck, and Brad gets loaded on a medical transport headed back to Britain.


John goes off for a walk along the beach.


He meets some American sappers who warn him they haven't finished clearing the beach of land mines yet, so be careful where you step.  John thanks them, turns around, and walks slowly away.


I've spoiled this whole movie already, so I'm going to go ahead and spoil the very end too.




I always wonder if John walked the direction he did on purpose, if he'd had enough of war and kind of hoped his feet might find what they do.  The movie really leaves that conclusion up to you.  It might also be a tragic accident, and I tend to prefer that, but the other way works too.


But the movie doesn't end there.  We see Valerie receive the news about John from one of his friends.


Then she gets a phone call telling her where Brad is.


She goes to Brad, and here's where the movie totally surprises me.  (I'm so spoiling the ending here too.  Just... skip to below "the end" if you don't want the final spoiler.)  I expected that now Brad would divorce his wife, and he and Valerie will be together, and it will be a sappy ending about love triumphing over fate or whatever.  But they do NOT go that way!

Brad tells Valerie that he talked to John on the beach, that John's fine, and that he thinks John is a really wonderful guy.  (DUH.)  Then he says that he hopes Valerie and John will have a wonderful life together.  He's going to go home and stay with his wife and make things work.

And Valerie never tells him John died.  She just nods and agrees that John's wonderful and agrees that Brad should go home, and she leaves.


She leaves and never looks back.


Oooooof, that just hits me where I live.  Good girl, Valerie.  You did the very hard, very right thing.  Maybe you were deserving of John's love after all.


I love movies that surprise me, and I love characters that choose the right path even though it's harder, and I love Richard Todd, so yeah, not surprising I like this movie!

Now, I mentioned that Richard Todd actually participated in the D-DAY invasion.  He did!  In fact, he actually worked with Major John Howard, whom he portrayed in The Longest Day, which just... makes me tingly all over.  Wow.  So cool.  If you'd like, you can read about Todd's military career here, including his first-hand account of his participation in D-DAY.


This has been my contribution to the D-Day Blogathon hosted this week by myself and Eva of Coffee, Classics, and Craziness.  Visit either this post on my blog or this post on Eva's to see the lists of participants, complete with links to their posts.

I hope you take some time today to remember all the sacrifices made by your country's armed forces, especially on this day, seventy-five years ago.

Tuesday, June 04, 2019

Summer of Fiction Writing -- I'm Doing It!

Writing sage Holly Lisle is hosting something really fun AND useful this summer!  She calls it the Summer of Fiction Writing (SOFW), and I've joined it as a way to help me power through the last few chapters of my latest book.

I've mentioned taking Holly Lisle's writing courses a time or two here, but not for a while, so quick let me tell you about her stuff.  She's a successful author herself, and she's been teaching others about writing for the past what, twelve or fifteen years?  I don't even know.  I've taken a LOT of her classes over the past decade, and I totally recommend them.  I've learned so much from them, especially "How to Think Sideways," which revolutionized how I approach writing.  And I never could have gotten Cloaked out the door without her "Title, Cover, Copy" class.  That sounds like a bad infomercial, but it's true!

The SOFW event isn't a class, though, but a summer-long challenge that's all about setting and meeting goals.  For it, she's put together a bunch of free worksheets and downloads for all participants, including one for young writers who want to learn to create superheroes and supervillains.  I'm totally going to be using that with my kids over the summer.  My oldest and youngest love to write, so I think they'll especially get a lot from it.

If you've ever struggled with setting or meeting goals, then you might find this useful just for the parts where she breaks down how to make those work for YOU as an individual.  You know I'm big on goals and lists and so on, which is a big part of how I get so many things finished in my life.  But I've never really sat down and thought about why they work for me, or how to explain them to others, so I found her stuff about that really eye-opening.

If you're sixteen or older, you can create your free member account at hollyswritingclasses.com.  You'll get a free class on writing flash fiction, plus you can then sign up for the SOFW event and get the downloads for that.  (If you're under sixteen, you'll have to get a parent to create an account and they can download what they think is appropriate for you.)

Lisle does use some adult language and discuss adult subjects in some of her classes, just FYI.  As do writers in the forums, which is why she's so clear about age guidelines for joining. But her class on superheroes is squeaky clean and appropriate for all ages.  I've read it all the way through and can vouch for that.

If you want to keep an eye on my progress, I've added an SOFW button to my sidebar here with a progress bar under it to keep me accountable.

Monday, June 03, 2019

"Aladdin" (2019) -- Initial Thoughts

So, it seems that I don't talk about my fanship for the 1992 version of Aladdin enough, because my best friend didn't even know I'd seen it, much less LURVE it.  Hmm.  But I do.  I put it on my list of Ten Favorite Animated Films a couple-few years ago, even.

The fact is, the 1992 version was the first current movie that my brother and I became fans of while it was still popular.  We didn't see it until it came to VHS, but man, we loved it once we saw it.  I mean, my brother had Aladdin pajamas, and we had this great little hand-held video game where you threw swords at Jafar over and over.  (SHH!  It was the early '90s!  That was actually cool, progressive technology!)  I still have my little plastic action figures of Aladdin, Jasmine, Rajah, the Genie, and the Carpet.  Probably Abu somewhere too -- my kids play with them now, so they're just mixed in with all the Star Wars and Disney Princess figures, but maybe I should get the kids to round them all up so I could take a picture of them or something. 

Anyway, love that movie.  Have the Diamond Edition on DVD & Blu-Ray (even though I don't own a blu-ray player yet...).  Have the soundtrack on CD.  Still have all the dialog and lyrics pretty well memorized.  So, unlike when Disney did live-action versions of Cinderella (2015) and Beauty and the Beast (2017), I was a little hesitant about seeing this movie.  I don't actually love the animated versions of those other stories, but Aladdin?  Aladdin is very personally, particularly OURS.

But... I really like Guy Ritchie's filmmaking style.  And I really like Will Smith.  Honestly, I've never, ever been disappointed by Will Smith in a movie.  Not a ton of actors I can say that about.  So I went to see this yesterday.

And, y'all, I loved it.  Not as much as I love the 2015 Cinderella, and possibly not as much as the animated original.  But I can't wait to get my hands on the soundtrack.  I already know I'll be buying the DVD.  I'm considering taking my kids to see it (and covering my 7-yr-old's eyes so she doesn't get freaked out too much by some of the scarier bits).  It's really, really well done.


I love the styling, how it's sort of a Disney-goes-to-Bollywood thing, loads and loads and LOADS of splashy, beautiful, fantastic costumes on talented dancers, lots of music, buckets of glitter and confetti -- it reminded me a lot of Bride and Prejudice (2004), actually.  (To be very honest, that's the closest thing to a Bollywood musical I've ever watched.  I should change that.)  And I loved that they didn't stick quite so close to the animated movie as Beauty and the Beast did.  I feel like, if you're not going to do something new with this story and these characters, then it's pointless to do a live-action remake.  These animated movies are beloved, I know, but it's not like they're Shakespeare or something.  I mean, we even shake up our Shakespeare most of the time, recutting the text or putting a play in a fresh setting, etc.


Um, I digress.  Yeah.  Loved that Jasmine and the Genie and Jafar all got more character development.  Jasmine (Naomi Scott) actually felt less like a feminist statement and more like an intelligent and caring woman than she does in the animated one, where she's all, "Stop trampling on me because I'm female, grrrrr!" sometimes.  Anyway.  I also loved that she got to have a friend, her handmaiden Dalia (Nasim Pedrad), because I was always sad at how lonely Jasmine was, with only Rajah for a friend.   I mean, Rajah is awesome, but... he is just a very sentient, sensible tiger, not a person.


And Genie (Will Smith)... Genie was wonderful.  He got to be a lot more poignant, but still very funny and sharply wacky and buoyant.  I LOVED the framing device they used for this, with a man on a boat telling the story to his kids, because it was a brilliant way of both grounding the story and making it into a legend.  It works both ways, and it's so cool.


And then there's Aladdin (Mena Massoud).  I was more worried about him from the trailers than anyone else in the movie, because I wasn't sure he was actually going to pull off being cool, awkward, smooth, and sincere.  Aladdin is a pretty complicated character, actually, even in the animated movie, and I wasn't sure that I could see this guy doing all of the things.

He did all the things, folks.  I totally dug him.


Jafar (Marwan Kenzari) was more than a one-note, sneering, finger-tapping leer. Nice.  The fact that he had a backstory and more of a reason to want to take over the kingdom than just "I'm here to be the bad guy" made him a lot scarier, to me.

Only one thing in this really bugged me, actually, and that was Iago.  I was quite disappointed by Iago :-(  In the animated movie, he is flat-out hilarious.  He was one of the first characters that taught me to recognize and appreciate sarcasm, and I will still quote some of his lines from time to time, as the situations present themselves.  I was so excited when I learned that Alan Tudyk was voicing him in this, because dude, Alan Tudyk can be sarcastic and sassy with the best of them.  Better than a lot of the best, actually.  I mean, his voicework for K-2SO in Rogue One (2016) is about as perfect as it gets when you're talking Sarcastic Sidekicks.  But they made Iago just sort of... boring.  He's just plain evil, and he's more realistic I guess, but he's boring.  (And also really freaky at one point.)  So I am pouting about that :-(

But I'm happy that Jafar never turned into a giant CGI snake.  That was a good move, I think.

And I LOVE that Genie got to have a little romance story of his own, because that was honestly the  most adorable thing in the movie.

I learned something about myself while I was at the movie.  I thought my favorite songs were "One Jump" and "A Whole New World," but I realized that nope, I actually love "Friend Like Me" and "Prince Ali" more.  It's the Genie's songs I looked forward to the most and reveled in the hardest.  Huh.

So, yeah, those are my thoughts on a movie that I hoped I would like and ended up loving.

Is this movie family friendly?  Yup.  It does get a little scary in a couple spots, so maybe not great for kids under 7 if they freak out over movies like mine do.  There are also quite a few shots of women in cleavage-revealing clothes, and some belly dancers here and there, if those things worry you.  Now you know.

Sunday, June 02, 2019

Summer 2019 To-Do List

Here we go again.  Hamlette setting some reading and movie-watching goals and trying to keep her life from fraying at the edges.  Business as usual.

(All pics mine from my Instagram account, as usual.)

~ Finish the first draft of my western Snow White retelling or bust!  (Bust what?  I don't know.  My head against my desk, I expect.)

~ Read 3 titles from my Classics Club list

~ Read 6 books off my TBR shelves

~ Read the 3 books for judging the YA section of the INSPY Awards

(I made a book rainbow!  Whee!)

~ Watch 3 movies off my TBW shelves

~ Co-host a blogathon in honor of the 75th anniversary of the D-DAY invasion

~ Co-host a very exciting blog event that we will be announcing later this month

(I love my johnny-jump-ups and they love me.  I'm sure of it.)

~ Go see Dark Phoenix

~ Go see Men in Black: International

~ Go see Toy Story 4

~ Go see Spider-man: Far From Home


(Roses aren't always red, and violets are never blue.  Now you know.)

~ Go see Hugh Jackman's The Man, The Music, The Show (SQUEEEEE!)

~ Visit the Green Valley Book Fair again

~ Visit the National Frontier Trails Museum

~ Make pie more than once

~ Do four jigsaw puzzles with my kids

(We did this puzzle already, actually.  It's just here to be representative of all jigsaw puzzles in general.)

Okay, just looking at all that makes me tired.  Think I can do all of that before the end of August?  We shall see!