Wednesday, July 22, 2015

Guest Post About the Soundtrack for "That Thing You Do!"


I've got another soundtrack up on James the Movie Reviewer's blog this morning -- go here to read it.  This is a great soundtrack for pepping up a lazy summer afternoon.  I listened to it so often as a teen that I still have all the songs memorized :-D

Monday, July 20, 2015

"Jane Eyre" (2006) -- Initial Thoughts

This is the fourth adaptation of Jane Eyre I've ever seen.  Jane Eyre is my favorite novel, and if I'm not careful, soon I'm going to have seen as many versions of it as of Hamlet!

First and foremost, Ruth Wilson is probably my favorite Jane Eyre yet.  Yes, even trumping Zelah Clarke.  Probably.  Maybe.  I sympathized with her, I identified with her, and I can think of no part of this miniseries where I felt like they'd strayed materially from the character as I know her.  (EDIT:  Except that bed scene -- can we all just pretend that didn't happen?  I'd kind of blocked it from my mind until Hannah reminded me of it in the comments.  Cuz that was NOT characteristic of Book Jane.)

Happily, Ruth Wilson is the reason I wanted to see this so much, since I really liked her in both The Lone Ranger (2013) and Saving Mr. Banks (2013).  I was not at all disappointed, and I do want to get this from the library again at some point and watch it again.

However, I was terribly disappointed by Toby Stephens' Mr. Rochester.  Not especially by Stephens himself, actually -- he was adequately Rochestery, broody and cranky and a little sly.  At one point I did start to imagine if they'd cast Paul Bettany instead, because oh my goodness, can you imagine Paul Bettany as Mr. Rochester?  I start to salivate just thinking of it.  However, my real problem with this Rochester was how he was written.  He was written as being very manipulative and pushy, and playing mind games just for the fun of seeing people squirm.

That is NOT Mr. Rochester.  Mr. Rochester can be manipulative, yes, in that he deliberately withheld the truth from Jane so she would marry him.  And he can be pushy, what with practically dragging Jane to the church.  He can play mind games too -- the whole Blanche Ingram fake engagement thing?  However, they took those elements and exaggerated them most unfairly, so that he felt like a big, self-serving meanie who only wanted to marry Jane for selfish, possessive reasons, not because he actually loved her or wanted her to be happy.  Even at the end, he was distasteful.  And whiny!

Mr. Rochester should not be whiny.

I mean, you know there's something wrong when I'm kinda rooting for St. John Rivers for a while.

Speaking of St. John (which, can we all agree it should be spelled Sinjin?), he's played by Andrew Buchan, and you know how I just watched Cranford and Return to Cranford a couple weeks ago?  When he appeared, my first thought was, "Oh, thank heaven!  Jem Hearne has found her.  Now she can go to Cranford and recover."  Which has actually given me the most delightful alternate universe to play in, since I didn't care for this Mr. Rochester anyway.

In my alternate universe crossover, Jem finds Jane and takes her back to Miss Matty's house (and since I'm making this up, Martha's still there too), and Miss Matty and the Hearnes take care of her.  When she's well, she gets to be the teacher at the new Cranford school opened with money from Harry Gregson.  There she lives quite merrily, making friends with all the equally strong-minded ladies of Cranford, and eventually falling in love again when she's in her 30s, with William Buxton's best friend, whom I have named George, and who happens to look like this:


Only possibly with shorter hair, and of course he would not generally walk around with his shirt collar open like that, only on very special occasions when he's been out helping in some manly endeavor, possibly mending fences because one of the servants is ill or something.  (It should probably involve a hammer, just to be funny.)

And so anyway, yeah... um, I think I liked this about as well as the 2011 on a whole, though I would like to see that one again to see if it's improved with time.  But it ain't no 1983.

EDIT:  I forgot to say whether I thought this was family friendly or not.  Other than a scene with Rochester and Jane lying fully clothed together on a bed and getting awfully friendly, which is very skippable (and SHOULD be skipped because it SHOULD NOT be happening -- that IS NOT in the book, folks, and would never happen because Jane is much too morally strong for such shenanigans), it doesn't have anything objectionable.  However, they Really Really Really play up the creepy, gothic vibe, and I think it would be too scary for preteens, and maybe even early teens.

Friday, July 17, 2015

"The Avengers: Age of Ultron" Soundtrack Guest Post

My thoughts on the soundtrack for the new Avengers movie are here on James the Movie Reviewer's blog :-)

I don't think Mark Ruffalo wants to be in this picture.  But Samuel L. Jackson desperately does.

Thursday, July 16, 2015

Courage and Sacrifice: the Inkling Explorations Link-Up for July


Time for this month's Inkling Explorations, the monthly link-up hosted by Heidi Peterson at Sharing the Journey.  This month's topic is "A well-crafted animated film climax," and I'm choosing to talk about the classic 1973 Disney film, Robin Hood.  This is my favorite animated movie, and happily, all three of my kids love it too, so I get to watch it fairly often.

Part of the reason I love Robin Hood is how he time and again risks his own safety to help others.  The climax for this movie version is no different.  Friar Tuck is in prison, along with most of the other residents of Nottingham.  But unlike the others, Friar Tuck has been condemned to die for attacking the Sheriff of Nottingham.  So of course, Robin Hood and Little John undertake to rescue him.  In the dark of the night, they scale the castle wall.


They look down on a pretty scary sight.


Archers patroll the tops of the walls.


Soldiers guard the entrance.


Robin is not daunted.  He disguises himself as one of the Sheriff's sidekick vultures, steals the keys to the dungeon, and sends Little John to rescue the prisoners.


So far, everything's going pretty easily.  Little John finds Friar Tuck's cell.  Though do you see that creepy skull to the right?  I never ever saw that skull before I screencapped this.  Kinda freaky.  I mean, it's a happy, smiley skull, but still.  Tension is starting to build, thanks to little touches like that.


Poor Friar Tuck was not being treated well.  I mean, they have him a book to read, but how's he gonna read it without his hands to turn the pages?  More like they're taunting him.  "Hey, here's a book -- too bad you can't read it."  A subtle form a torture, mayhap?


Little John and the freed Friar Tuck proceed to the debtor's prison, where they find all their friends.  Even the baby bunnies have been locked up!  That mean, naughty, low-down Prince John.


Meanwhile, Robin has decided to drop in on the royal treasury.  He scales the walls in the darkness undetected.


Prince John has decided to keep all his gold well-guarded, as you can see.


Robin sets up a rope pulley system with Little John, who's still in the dungeons, and they tie all the bags of gold to the rope and transfer them to the prisoners.  Everything is going peachy keen until Robin gets a little too greedy and takes the bag that Prince John is using as a teddy bear.  Prince John sounds the alarm, and Robin finds himself facing grim archers and few escape routes.


He swings out along the rope leading to the dungeon, narrowly escaping getting shot by various arrows along the way.  He's getting pretty worried about this, which makes us in the audience worried as well.  But so far, Robin's just saving his own skin.  Yes, it's courageous to go steal gold and give it to the prisoners your buddy is freeing, but not exactly heroic.


Little John leads the prisoners out of the dungeon, all laden with Prince John's gold, which of course he took from them in the first place.


They flee across the castle courtyard, unhindered until...


...angry rhino guards give chase.  You only see these guys for a second on the screen, so they're not horribly scary, but when you stop them like this and look at them more closely -- yikes!!!  These guys are mean and out for blood.


Robin and little Skippy stay behind the others to hold off their pursuers.  I love this shot -- look at how Skippy is totally freaking out by the fact that he's about to be killed in any number of horrible ways, but he's still standing his ground, with his hero at his side.  And where is Robin looking?  Not at the approaching enemies.  He's focused on Skippy, checking to see if he's okay.


Their brave stand gives Little John and Friar Tuck time to load everyone into a convenient hay wagon and hustle out over the drawbridge.  The escape worked!


Except that the Mama Rabbit suddenly realizes that her youngest bunny has been left behind somehow.  Look at the terror in poor Mama's face.  Anguish and heartbreak -- her baby will be trampled by rhinos or chained up by Prince John, or maybe just lost forever inside the castle.  Or possibly eaten by the Sheriff of Nottingham, since he's a wolf, after all.


Poor baby bunny is terrified too, toddling along yelling, "Mama!  Mama!  Wait for me!"


Robin Hood hears the baby's cry for help.  And here's where the courage really comes into play.  He stops running, turns around, and goes back into the castle.  He was free, he was out in the forest on the other side of the moat already, but he goes all the way back into the castle to rescue a lost and helpless child.


Baby bunny is clearly grateful.


Robin's almost to safety when a the portcullis comes crashing down, trapping him inside the castle.  (Baby bunny looks distinctly grumpy here -- I suspect Robin Hood may have squeezed it unintentionally.


What does Robin do?  Why, he passes that baby bunny through the portcullis to Little John, and orders Little John to get everyone to safety, rather than rescue him.  Now it's just Robin against a whole castle full of angry guards.  He's sealed his fate, exchanged his life for that of a baby bunny he barely knows.  And he's done it unhesitatingly.  And that, my friends, is why this movie's climax hits home for me.  Not because it's exciting, but because Robin chooses to lay down his life for another.


He doesn't give up without a fight, though.  He scrambles up that portcullis, and on up the castle walls.


But when he ducks inside the castle, he's confronted by a very angry Sheriff brandishing a torch.


The Sheriff sets fire to everything in the room as he wildly swings his torch, trying to smash our hero to bits.


Robin flees up the stairs, flames licking at his heels.  (And aren't these flames spectacularly drawn?)


But at the top of the tower, there's nowhere to go.  He's completely trapped.


He bolts out the window, climbs onto the roof, and clings there in desperation.


On the other side of the moat, Little John and Skippy watch from the bushes as their friend and hero faces certain immolation. 


Poor, poor Robin Hood.


Of course, he jumps into the moat.


He survives the fall, but the archers above rain arrows down on him.


Little John and Skippy root for him to make it, but there's no way they can help him without getting shot themselves.


Robin goes under, and only his hat surfaces, with an arrow through it.


Prince John rejoices.


But look at Skippy's face.  He's slowly realizing that his hero has given his life to save Skippy's baby sister/brother.


This picture here?  It's making me tear up as I write this.  Oh, that poor little Skippy.


But what's this?  Why, it's a reminder that this is a Disney movie, not film noir.  It's a reed swimming around in the moat by itself.


Robin's using it to breathe through, and when he's out of range of the archers, he pops up out of the water.  Skippy prepares to give him a giant bunny hug.


His hero is safe!  My hero is safe!  Huzzah!


"A pox on the phony king of England!  Oodalolly!"


Cry all you want, Prince John.  Robin Hood has triumphed.  Good has trumped evil, and moral balance is restored to the universe.


So, there you have it.  My choice of a well-crafted animated film climax, one that showcases the hero's courage and willingness to sacrifice himself for others.  Be sure to check out the list here on Heidi's blog so you can find other people's entries to this month's link-up... and maybe add your own?

Tuesday, July 14, 2015

3 Things I Love in a Good Story


Heidi Peterson has started a fun new series on her writing blog, Sharing the Journey.  It's called "3 Things I Love in a Good Story," and I am honored to be her very first guest contributor to the series!  If you want to know 3 things I find absolutely essential in order to consider a story "good," then go here and read all about them :-)

Heidi is also looking for more guest contributors, so whether you are a writer or a reader, if you love a good story, follow the instructions at the end of that post on how to let her know you'd like to share your own list of 3 things.

Sunday, July 12, 2015

Legends of Western Cinema Week


Boy howdy!  Have I got some good news :-)  Emma (of A Lantern in Her Hand) and Olivia (of Meanwhile, In Rivendell) are co-hosting another western week, and it's coming up soon!  I'll definitely be participating, though I'm not sure what movie I'll review.  An old favorite?  Something I haven't seen before?  I'm leaning toward the original 3:10 to Yuma (1957) cuz I haven't reviewed it here yet and I have been hankering to watch it again.  We shall see!  Meanwhile, go here for more info.