"White Warrior" (Cheyenne, Season 3, Ep 13)(1958)

"White Warrior" is the second episode of Cheyenne (1955-63) I ever saw.  I mentioned recently how, when we moved to North Carolina when I was 12, my whole world expanded thanks to a local video rental store with a fantastic collection of classic movies, particularly westerns.  That video store also had a lot of episodes of classic TV shows on VHS, including two each of Cheyenne, Bronco, Maverick, and Wanted: Dead or Alive.  One of those episodes of Cheyenne was this one, and it's the ep that made me fall in love with this show.  

In "White Warrior," Cheyenne Bodie (Clint Walker) is leading a wagon train.  I really love wagon train stories (so much so that I wrote one), so that alone would probably make this episode a favorite.  There's something so compelling for me about a group of people who have decided to leave home and family and familiarity behind them and are setting off into what they hope will be a better world.  But they're also stepping out into the unknown, with uncertainty and hard work and a lot of possible dangers around them.  Also, one of my great-grandmothers was born in a wagon train while her family headed to their new home in the Dakota Territory, so that might be part of why they fascinate me.

Anyway, the wagon train Cheyenne is leading has a couple of total creeps in it, Eli Henderson (Peter Whitney) and Matt Benedict (Morris Ankrum) in particular.  Eli Henderson is a trader who wants to bilk settlers and American Indians out of whatever he can by selling them subpar and sometimes illegal goods.  Matt Benedict is a harsh, hateful man who pushes his son Neal (Chuck Courtney) to bully others in order to prove what big and powerful people they both are.  Cheyenne has plenty of trouble keeping the two of them from creating havoc even before the titular character arrives.

A handful of Apache warriors meet up with the wagon train and want to trade with Henderson.  While Henderson is wheeling and dealing with them, Cheyenne notices that one young man riding with them (Michael Landon) is a Comanche captive, not an Apache.  He trades a horse for the captive because he knows the Apache warriors will most likely brutally torture and then murder him when they get back to their own people.

Cheyenne frees the Comanche and learns that he speaks English.  He also notices a distinctive scar on the young man's wrist.  Some of the people on the wagon train, egged on by Henderson and Benedict, demand that Cheyenne get rid of the Comanche because they are sure he will kill them all in their sleep.  Why?  Because he's an Indian, and they don't trust Indian.  When Benedict snarls, "He's an Indian.  There's too many of them, anyway," Cheyenne retorts, "That's exactly how they feel about us. Only, they got better reason."

Then Cheyenne drops a little bomb on their let's-hate-the-Comanche party:  the captive he freed isn't Comanche by birth, but by adoption.  The captive confirms this reluctantly -- he is a young white man named Alan Horn who was captured by the Comanche when he was a child and adopted into their tribe through a blood ceremony that left the scar on his wrist.

The settlers still aren't cool with this, even after Cheyenne explains he knew Alan had been adopted by the Comanche because the same thing happened to him as a boy, only he was adopted by the Cheyenne instead.  This is a big part of why I love this episode: we get to hear more about Cheyenne's backstory here than we do in any other episode I have seen.  He was rescued by the Cheyenne after his family was killed by raiders, and they adopted him into the tribe.  But, when he was in his teens, about the same age as Alan, he had to decide for himself where he belonged.  And Cheyenne Bodie decided he wanted to rejoin the white world, even though he never would quite feel at home there or find total acceptance because of his Indian upbringing.

Cheyenne gives Alan Horn the same choice.  If he wants to rejoin the Comanche, Cheyenne will send him on his way with a horse, water, food, and a knife.  If he wants to try living with the white people, Cheyenne will help him find a place in that world instead.  And that is another big reason why I love this episode -- Cheyenne never pushes Alan to decide one way or another.  He lets him make his own choice.  He never even tries to persuade him that one society would be better than the other.

The way this show as a whole treats American Indian characters was pretty revolutionary when it first aired in 1955.  That was the height of the popularity for western shows and movies, and the vast majority of those portrayed the American Indians as nameless, faceless, remorseless enemies.  Of course, there were exceptions.  And, of course, Cheyenne's being raised by a native tribe is often used as a way to make him seem exotic and special.  But the show insists on treating Indian characters with dignity, as intelligent individuals.

Anyway, Alan Horn does find some acceptance in the wagon train, particularly being befriended by Clara Bolton (Randy Stuart) and Lyle Gordon (Richard Garland).  But others are determined to drive him out, especially when he reveals that he overheard Eli Henderson making a deal with those Apache warriors to sell them rifles and ammunition, which is against the law.  Matt Benedict even tries to convince his son Neal to kill Alan Horn just because he was talking to a white girl.

Cheyenne believes and trusts Alan, and of course, the bad guys are stopped, the good guys are rewarded, and the wagon train is able to safely continue on the way to their new homes.  This is a fifties show with a lot of kids in the audience, after all.  But that doesn't keep it from taking a deeper, harder look at issues like trust, kindness, and belonging.  The show as a whole doesn't shy away from difficult subjects, and that's another reason that I love it.

In fact, Cheyenne is one of my top favorite western shows of all time, despite my only having seen two episodes of it as a teen, and then all of season one when I was in my twenties.  I now have all seven seasons on DVD and have been having a jolly time making my way through the show.  I'm only halfway through season two, but I jumped ahead to rewatch this episode so I could review it this weekend.

Michael Landon's star was on the rise when he guest-starred in this episode.  In a matter of months, he would be starring on Bonanza and become a household name.  His performance here is understated and lovely, showing his inner conflict mainly through his haunted eyes and hesitant words.

This review is my contribution to the 10th Annual Favorite TV Show Episode Blogathon hosted by A Shroud of Thoughts all weekend long.

I've been crushing on Clint Walker for more than thirty years, so here is one last shot of him looking particularly good in this episode.